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		<title>Rumble Art 2010 presents&#8230;ProyectArte de Buenos Aires</title>
		<link>http://arteculturavida.wordpress.com/2009/12/03/rumble-art-2010-presents-proyectarte-de-buenos-aires/</link>
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		<pubDate>Thu, 03 Dec 2009 23:04:15 +0000</pubDate>
		<dc:creator>arteculturavida</dc:creator>
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		<description><![CDATA[ProyectArte is a NYC-based 501(c)(3) nonprofit organization that creates, develops and supports innovative arts projects in the Americas. ProyectArte&#8217;s principal program is the ProyectArte School in Buenos Aires, Argentina, whose mission is to discover, educate, and develop promising young artists in that country. At the school, a socioeconomically diverse group of talented youth ages 15 [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=arteculturavida.wordpress.com&amp;blog=8207109&amp;post=188&amp;subd=arteculturavida&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><span style="color:#0000ee;text-decoration:underline;"><a href="http://arteculturavida.files.wordpress.com/2009/12/logo_proyectarte2.jpg"><img class="aligncenter size-full wp-image-191" title="logo_ProyectArte" src="http://arteculturavida.files.wordpress.com/2009/12/logo_proyectarte2.jpg?w=497&#038;h=279" alt="" width="497" height="279" /></a><br />
</span></p>
<p>ProyectArte is a NYC-based 501(c)(3) nonprofit organization that creates, develops and supports innovative arts projects in the Americas.</p>
<p>ProyectArte&#8217;s principal program is the ProyectArte School in Buenos Aires, Argentina, whose mission is to discover, educate, and develop promising young artists in that country. At the school, a socioeconomically diverse group of talented youth ages 15 to 18 study fine arts with some of Argentina&#8217;s most distinguished artists.  Modelled after the Renaissance-era Master-Apprentice model, these young aspiring artists study intensively for 10 hours a week, using a special curriculum developed by some of Argentina&#8217;s leading artists and educators especially for youth arts education.  </p>
<p>In just four years, ProyectArte has become Argentina&#8217;s premier institution for youth arts education.  ProyectArtes&#8217; students and graduates have exhibited their work at the Centro Cultural Recoleta, Argentina&#8217;s most visited public exhibition space, as well as the Chelsea Art Museum in New York, and the Johnson and Johnson Arts Center in NJ.  Despite their young age, ProyectArte graduates have participated in numerous group and solo exhibitions, and many have sold works to collectors in Buenos Aires and New York.  </p>
<p>Rumble Art 2010 is proud to be exhibiting the following students and graduates of ProyectArte:</p>
<p>Mercedes Peñalva</p>
<p>Facundo Iván Enquin Fernández</p>
<p>Martín Torres</p>
<p>David Kacowicz</p>
<p>Paloma Marquez</p>
<p>An important element of ProyectArte&#8217;s social mission is to create a diverse student body where young people can relate to one another through their passion and artistic ability.  In this way, the school fosters a remarkable diaolgue that crosses the rigid socioeconomic barriers that divide Argentine youth, thereby broadening the way the its students look at their world and each other.  Indeed, the many profound relationships that have formed among students of radically different backgrounds are among the program&#8217;s greatest successes.  ProyectArte has shown that high-level art education for motivated, talented young people is an effective way of bridging socio-economic divides.  </p>
<p>Since it was founded six years ago, many of ProyectArte&#8217;s 78 students and graduates have exhibited their work locally at Centro Cultural Recoleta, Buenos Aires&#8217; most-visited public exhibition space, as well as important galleries such as Victor Najmias and Isidro Miranda (which now represents 23 year old ProyectArte graduate Juan Balza).  Internationally, their works have been shown in New York&#8217;s Chelsea Art Museum, The MoMA &#8211; NYC, Johnson and Johnson Arts Center and the Argentine Consulate in New York.  A number of ProyectArtes&#8217; students have had the opportunity to participate in an exchange program between ProyectArte and the San Francisco Art Institute (SFAI), one of the oldest and most important art schools in the United States.  Graduates of ProyectArte have sold dozens of works to collectors in New York and Buenos Aires, thus reinforcing a cycle central to ProyectArte&#8217;s institutional vision: high-level arts education in conjunction with professional development for our most committed and promising graduates.  Finally, through the Proyectar outreach program, over 3,000 schoolchildren and dozens of children in the neighborhood of Villa Crespo have benefitted from the arts workshops organized by ProyectArte students and graduates.  </p>
<p>Please visit http://www.rumbleart.com/artist   or http://proyectarte.org</p>
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		<title>Rumble Art 2010 featured artist, Rosa Lykiardopoulos</title>
		<link>http://arteculturavida.wordpress.com/2009/11/25/rumble-art-2010-featured-artist-rosa-lykiardopoulos/</link>
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		<pubDate>Wed, 25 Nov 2009 23:47:13 +0000</pubDate>
		<dc:creator>arteculturavida</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Buenos Aires artist]]></category>
		<category><![CDATA[Insolent Candy Floss]]></category>
		<category><![CDATA[London artist]]></category>
		<category><![CDATA[Rosa Lykiardopoulos]]></category>
		<category><![CDATA[Rumble Art]]></category>
		<category><![CDATA[sex and politcs]]></category>

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		<description><![CDATA[Originally from Buenos Aires, Argentina, Rosa Lykiardopoulos is based in London since 2003, and works as a freelance motion graphics designer. Some of her clients include Cartoon Network, Sony, BBDO, Nike, Sainsburys, Pepsi and others. Her passion for animation drove her to take part on the production and design of several independent award wining music [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=arteculturavida.wordpress.com&amp;blog=8207109&amp;post=185&amp;subd=arteculturavida&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Originally from Buenos Aires, Argentina, Rosa Lykiardopoulos is based in London since 2003, and works as a freelance motion graphics designer. Some of her clients include Cartoon Network, Sony, BBDO, Nike, Sainsburys, Pepsi and others. Her passion for animation drove her to take part on the production and design of several independent award wining music videos and shortfilms. Her most recent series that will be featured at Rumble Art 2010 February 4 &#8211; 14 was recently published in the Madrid based art magazine, ROJO.<a href="http://arteculturavida.files.wordpress.com/2009/11/06-new.jpg"><img class="aligncenter size-full wp-image-186" title="Rosa Lykiardopoulos" src="http://arteculturavida.files.wordpress.com/2009/11/06-new.jpg?w=497" alt=""   /></a></p>
<p>She also collaborates as an illustrator for several magazines.“Because of the nature my job, I have always felt very comfortable inside the moving image. A couple of years ago i started to explore illustration looking for  the challenge of telling a story in a single frame, creating a universe within a blank page”.</p>
<p>Her work is inspired by a variety of sources. Latin America, comic books, toys, Egon Schiele, Sofia Loren, her brother,  all the pantones, all the shapes, happiness, melancholy, every minute of her life&#8230; And music, oh yes, thanks god for music.</p>
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		<title>Roman city, Altinum, rises from Venice Lagoon&#8230;</title>
		<link>http://arteculturavida.wordpress.com/2009/08/03/roman-city-altinum-rises-from-venice-lagoon/</link>
		<comments>http://arteculturavida.wordpress.com/2009/08/03/roman-city-altinum-rises-from-venice-lagoon/#comments</comments>
		<pubDate>Mon, 03 Aug 2009 01:15:12 +0000</pubDate>
		<dc:creator>arteculturavida</dc:creator>
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		<description><![CDATA[Using aerial, near-infrared photos taken during a drought, researchers have mapped the city thought to be the ancestor to present-day Venice. It now awaits under modern farmland.       Aerial photographs taken during a drought two years ago have enabled Italian researchers to produce the most detailed map ever of the ancient Roman city [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=arteculturavida.wordpress.com&amp;blog=8207109&amp;post=171&amp;subd=arteculturavida&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Using aerial, near-infrared photos taken during a drought, researchers have mapped the city thought to be the ancestor to present-day Venice. It now awaits under modern farmland.</p>
<p> </p>
<p><img class="aligncenter size-full wp-image-172" title="italy-venice" src="http://arteculturavida.files.wordpress.com/2009/08/italy-venice.jpg?w=497" alt="italy-venice"   /></p>
<p> </p>
<p> </p>
<div style="font-weight:inherit;font-style:inherit;font-size:100%;font-family:inherit;font:normal normal normal 13px/normal Arial, sans-serif!important;border:0 initial initial;margin:0;padding:0;">Aerial photographs taken during a drought two years ago have enabled Italian researchers to produce the most detailed map ever of the ancient Roman city of Altinum, considered by some historians to be the ancestor of modern-day Venice.   </p>
<p>The dryness of the landscape enabled the team from the University of Padua to see evidence of 2,000-year-old structures beneath the soil &#8212; including remnants of churches, city walls, gates and even a theater, according to <a style="outline-style:none;outline-width:initial;outline-color:initial;font-weight:inherit;font-style:inherit;font-size:100%;font-family:inherit;color:#007aaa;text-decoration:none;border:0 initial initial;margin:0;padding:0;" href="http://sciencenow.sciencemag.org/cgi/content/full/2009/730/1">the research published in this week’s edition of the journal Science</a>.</div>
<div style="font-weight:inherit;font-style:inherit;font-size:100%;font-family:inherit;font:normal normal normal 13px/normal Arial, sans-serif!important;border:0 initial initial;margin:0;padding:0;">Like Venice, Altinum sat in the large lagoon connected to the Adriatic Sea that is now known as the Venice Lagoon. At around 200 square miles, it is one of the largest bodies of water of its kind in the world. Larger than Pompeii, Altinum was among the most influential cities in northern Italy during Roman times and home to as many as 20,000 people, according to Alessandro Fontana, one of the researchers who produced the map.   </p>
<p>In the 1st century BC, &#8220;Altinum was a quite important harbor,&#8221; said Fontana, a professor in the university&#8217;s geography department. &#8220;Archaeologists consider it to be like a maritime emporium where traders arrived from all around the Mediterranean.&#8221;</p>
<p>Altinum had also been famous since the Iron Age for wool production and horse breeding, Fontana said.</p>
<p>Creating this new map of one of the Roman Empire&#8217;s great cities was possible because Altinum, unlike most ancient cities in Europe, was not built over by later generations. As a result, the researchers were able to use aerial photographs to peer beneath the modern farmland covering the ancient city to reveal subsurface stones, bricks and compacted soil. The severe drought of 2007, which dried up vegetation in the area, also made it easier for the visible-light and near-infrared cameras to reveal the structure of the city.</p>
<p>Today, about 11% of the lagoon is permanently covered by open water, and around 80% consists of mud flats, tidal shallows and salt marshes.</p>
<p>As with Venice, life in Altinum was dominated by water.</p>
<p>Residents willingly accepted the curse of mosquitoes and other insects in exchange for the relative safety of life protected from land invaders, according to Fontana. The resources of the lagoon itself &#8212; fish, game and salt &#8212; would have been an additional inducement to settlers, Fontana said, along with a direct route to the Adriatic.</p>
<p>Altinum&#8217;s eventual destruction was signaled by the arrival of Barbarian invaders in the 5th century AD. The inhabitants began fleeing deeper into the lagoon, eventually settling in what later became Venice. The local bishop held on until as late as the 7th century, before moving to Venice, Fontana said.</p>
<p>The memory of Altinum is preserved today in the names of several Venetian islands &#8212; Torcello, Burano, and Murano &#8212; which were named for districts in the old city.</p>
<p>Not only is the spirit of Altinum preserved in modern Venice, its roots are in the foundation of Venice itself, Fontana said. Much of the early stone and brick-work used to build the churches and palaces in Venice was carted in from Altinum.</p>
<p>Geoffrey Symcox, a professor emeritus of European history at UCLA, said the Italian team&#8217;s work will likely revise history&#8217;s opinion of Altinum&#8217;s role in Roman affairs. &#8220;Its main claim until now was that it was sacked by Attila and the Huns,&#8221; he said.</p>
<p>After looking at the new map, he added: &#8220;I think they&#8217;re onto something. There&#8217;s a very good case to be made that this was a place people fled to Venice to get away from the Huns.&#8221;</p>
<p>It&#8217;s ironic, he said, that &#8220;a climatic accident&#8221; made the discovery possible.</p>
<p>Fontana said he and co-workers Paolo Mozzi and Andrea Ninfo have received funding for a much more ambitious research project at Altinum that could include opening the site to tourists. Archaeological digs to unearth buried structures are also possible, he said.</p></div>
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		<title>A Breathtaking Film</title>
		<link>http://arteculturavida.wordpress.com/2009/07/28/a-breathtaking-film/</link>
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		<pubDate>Tue, 28 Jul 2009 06:30:40 +0000</pubDate>
		<dc:creator>arteculturavida</dc:creator>
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		<title>The Sound of Isolation: Kind of Blue</title>
		<link>http://arteculturavida.wordpress.com/2009/07/26/the-sound-of-isolation-kind-of-blue/</link>
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		<pubDate>Sun, 26 Jul 2009 18:05:19 +0000</pubDate>
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		<description><![CDATA[Lovers give it to each other, even though it offers no comfort, and it is the only jazz album many of us own. Richard Williams on how Miles Davis&#8217;s 1959 Kind of Blue became one of the most influential recordings of all time&#8230; A late summer warmth is filling the streets of central Barcelona. Just [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=arteculturavida.wordpress.com&amp;blog=8207109&amp;post=159&amp;subd=arteculturavida&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-162" title="MR868" src="http://arteculturavida.files.wordpress.com/2009/07/mr868.jpg?w=497" alt="MR868"   />Lovers give it to each other, even though it offers no comfort, and it is the only jazz album many of us own. Richard Williams on how Miles Davis&#8217;s 1959 Kind of Blue became one of the most influential recordings of all time&#8230;</p>
<p>A late summer warmth is filling the streets of central Barcelona. Just off the Plaça Catalunya, near the top of the Rambla, two young musicians are busking. One plays a metre-long didgeridoo, the ancient wooden instrument associated with Australia&#8217;s Aboriginal people, a rustic contra-bass pipe suitable mainly for the production of low drones. The other is playing a hang, a newly fashionable steel hand-drum that looks like two woks welded together, the smooth surface of its upper hemisphere interrupted by half a dozen large dimples. A phenomenon called the Helmholtz resonance, which exploits the sound produced by air in a cavity, allows the hang to produce a gentle melodic bong, like a Zen monk&#8217;s version of a Trinidadian steel pan. The duo&#8217;s minimalist <a style="border-collapse:collapse;background-repeat:no-repeat;color:#005689;text-decoration:none;margin:0;padding:0;" href="http://www.guardian.co.uk/books/music">music</a> is static, almost heatstruck; it lacks obvious thematic material and seems to have no beginning or ending, no sense of specific geographical origin or cultural inflections. A dozen listeners seem drawn more to the curious nature of the instruments than to the music itself.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">A few streets away, in the old quarter, a larger group is performing in the mouth of an alleyway. This one has two hang players, plus a saxophonist and a man who manipulates an Indian tambura with one hand to produce a quiet background drone while playing a softly skipping rhythm on the skin of an Irish bodhrán, a single-headed drum, with the other. Their music, which has drawn a crowd of tourists of all types and ages, is similarly unassertive, and again this is music of resources rather than themes. Yet it has a sense of space, of balance, of containment, of refined simplicity. The absence of harmonic movement and the sound of the hang drums &#8211; their notes like heavy raindrops, splashing against the tambura&#8217;s drone &#8211; invite the saxophonist to shape his improvised phases with contemplative grace.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">And I think, as I walk away, the sound of the instruments fading into the early evening hubbub, that this music could never have happened without <a style="border-collapse:collapse;background-repeat:no-repeat;color:#005689;text-decoration:none;margin:0;padding:0;" href="http://www.guardian.co.uk/music/miles-davis">Miles Davis</a>&#8216;s Kind of Blue</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">It is the most singular of sounds, yet among the most ubiquitous. It is the sound of isolation that has sold itself to millions. Lovers give each other Kind of Blue, even though its mood offers no consolation, let alone ecstasy. But those who give it want to share its richness of spirit, its awareness of the infinite, and its extraordinary quality of constantly revealing more to those who know it best.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">For many people, it is the only <a style="border-collapse:collapse;background-repeat:no-repeat;color:#005689;text-decoration:none;margin:0;padding:0;" href="http://www.guardian.co.uk/music/jazz">jazz</a> album they own. They may have bought it after hearing it at a friend&#8217;s house, or in a record shop, or floating in the background at a restaurant: something that imprinted itself during a casual encounter. But Kind of Blue is not the equivalent of a temporary and aberrant fad for the sound of Irish pipes or Bulgarian female choirs. It is not, in that sense, a phenomenon. Its increasing success over 50 years has been the result of a wholly organic process, the consequence of its intrinsic virtues and of its special appeal to a particular layer of the human spirit.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">It began life with a series of warm reviews and the admiration of other musicians. They were swift to understand its implications and to replicate its methods and mannerisms, but its essence could never be recaptured. Not even, as it turned out, by the man who made it. Davis spent the remaining 30 years of his life as the leading figure in jazz, initiating trends great and small, often putting himself at the centre of the music&#8217;s frequent crises of identity. But he never tried to do again the thing that he and six other musicians had done during the course of a mere nine hours spread over two days in the spring of 1959.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">If it could not be counterfeited, what happened to it was something much more interesting, an effect that could only be seen in hindsight. Kind of Blue&#8217;s atmosphere &#8211; slow, rapt, dark, meditative, luminous &#8211; became all-pervasive. It was as if Davis had tapped into something more profound than a taste for a particular set of musical sounds: he had uncovered a desire to change the scenery of life.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">Before Kind of Blue there had been slow jazz, mournful jazz, romantic jazz, astringent jazz. But there had never been anything that so carefully and single-mindedly cultivated an atmosphere of reflection and introspection, to such a degree that the mood itself became an art object. Kind of Blue seemed to have taken place in a sealed environment, with all its individual sensibilities pointing inwards. In its ability to distill its complexity of content into a deceptive simplicity, in its concern for a sense of space within the music, for a unity of atmosphere, and for the desire to create a mood of calm contemplation in which the troubled western soul can take its rest, it has become one of the most influential recordings of our time.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">Its innovations were technical and spiritual. Uncomfortable with the tendency of postwar jazz to become a mere test of virtuosity, Davis worked with a number of friends, notably the composers George Russell and Gil Evans, to devise structures intended to replace densely packed chord sequences with modes that changed slowly, if at all. This simplification and deceleration encouraged the abandonment of closed forms based on western song structures. Under its apparently casual and conventional surface, Kind of Blue represented an engagement with eastern sensibilities, in particular the timelessness of Indian classical music and the allusive clarity represented by the 17-syllable Japanese haiku.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">Quickly recognised as a major achievement, the album gradually acquired the status of a jazz classic. But then, some time in the 1990s, its status changed more radically. In becoming pre-eminent, the one jazz album that even non-jazz fans found themselves owning, it penetrated levels of taste and consciousness that no jazz record had previously reached.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">Not everyone loved Kind of Blue. Kingsley Amis, hearing Davis in New York at around the time the album was recorded, wrote: &#8220;I have heard the future, and it sounded horrible.&#8221; Some jazz critics have always been suspicious of what they see as the album&#8217;s promiscuous approachability and the ease with which it adapts itself to a variety of environments. The late Richard Cook, for example, dismissed it as &#8220;the hippest easy-listening album of them all&#8221;. The humorist Dom Joly, in a newspaper column devoted to his detestation of jazz, reserved the damnation of faint praise for one exception. &#8220;I do have to admit to owning Miles Davis&#8217;s Kind of Blue,&#8221; he wrote. &#8220;It&#8217;s good for wafting over the pool on a sunny day or as the gentle soundtrack to a dull dinner party.&#8221; For others, however, it offered a vision of the future.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">The effect of the album spread far beyond its immediate environment. John Coltrane and Bill Evans, two key members of Davis&#8217;s sextet at the sessions, went on to form groups that took its discoveries in radically different directions. The young American composers who became known as the minimalists &#8211; La Monte Young, Terry Riley, Steve Reich and Philip Glass &#8211; were inspired by its exploitation of pared-down resources, offering an alternative to the sterility of the post-Webern world, and in turn their influence would shape the work of the Welsh viola player and composer John Cale, founder member of the Velvet Underground &#8211; the most widely emulated group since the beatles &#8211; and Brian Eno. Eno&#8217;s artschool explorations led to his groundbreaking work with Roxy Music, David Bowie and Talking Heads, and to his invention of ambient and generative music. Pee Wee Ellis, James Brown&#8217;s musical director, had the structure of &#8220;So What&#8221;, Kind of Blue&#8217;s most famous track, in his head when he helped his employer create &#8220;Cold Sweat&#8221;, the vastly influential hit single that transformed soul music into funk.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">The music student John Adams carried the scores of Pierre Boulez around with him during his freshman year at Harvard, &#8220;hoping that somehow, perhaps by osmosis, they would reveal themselves to me and make me love them as I loved Mozart and Miles Davis&#8217;s Kind of Blue&#8221;. For the guitarist Andy Summers, serving an apprenticeship in R&amp;B and psychedelic groups in London in the 1960s on the way to becoming a member of the Police, Kind of Blue formed the centrepiece of a tapestry of cultural influences ranging from Jack Kerouac to Hamza Al-Din. In Japan, the composer Toru Takemitsu absorbed its lessons. In Germany, Davis&#8217;s album opened up a new universe of music and thought for Manfred Eicher, a student of the double bass who abandoned a career in the classical world to supervise recordings &#8211; with Keith Jarrett, Jan Garbarek and many others &#8211; that explored the values of Kind of Blue, in particular its air of contemplative minimalism. &#8220;The fewer words you use,&#8221; Eicher once said, &#8220;the more intense the dialogue.&#8221;</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">The title Davis gave his album caught many strands of meaning in a single phrase. Although &#8220;blue&#8221; carries the primary message, &#8220;kind of&#8221; is just as significant. Apparently offhand, almost disdainful of itself, it is the shrug that half-conceals the uncertainties and discontents of postwar life, putting Davis at the same remove from the straight world as the protagonists of Alberto Moravia&#8217;s La Noia and Michelangelo Antonioni&#8217;s La Notte. (&#8220;We&#8217;re gonna get high and listen to Miles,&#8221; a beatnik says in a scene from Mad Men, taking an album out of its cardboard sleeve.)</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">Blue is, in any case, historically the subject of equivocal responses. L&#8217;heure bleue is a time between work and play, between one kind of life and another, a time defined by transience and evanescence. And no colour has so saturated music over the last hundred years, while permitting so many shadings. Blue velvet. Blue angel. Blue valentines. Blue moon. Blue and sentimental. I&#8217;m blue. Love is blue. Way to blue. Midnight blue. Almost blue. Born to be blue. Blue on blue (heartache on heartache). A nice word to say, and to sing, the gentle explosion of its initial double-consonant immediately softened and then succeeded by a long and shapely vowel.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">Blue is the colour of tribal woad and of the Virgin Mary&#8217;s cloak, of bleu de travail and the wraps of Tuareg nomads, of the suits worn by J Edgar Hoover&#8217;s FBI men and of rock&#8217;n'roll denim. Goethe dressed Young Werther in a blue dress coat and, in his Theory of Colours, observed that &#8220;blue brings the principle of darkness with it&#8221;. Rilke wrote his poems on blue paper. Cézanne believed that only by adding an element of blue to every colour on his palette could he create the sensation of natural light, of objects viewed through air. Kandinsky wrote: &#8220;Blue unfolds in its lower depths the element of tranquillity. The brighter it becomes, the more it loses its sound.&#8221; Matisse spoke of being &#8220;pierced in the heart&#8221; by the blue of a butterfly&#8217;s wings. To Wallace Stevens, inspired to create his poem &#8220;The Man with the Blue Guitar&#8221; by the memory of a masterpiece from Picasso&#8217;s blue period and by the artist&#8217;s subsequent adventures in surrealism, it symbolised the freedom of the imagination.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">The principle of darkness, the sensation of natural light, the element of tranquillity, a heart-piercing beauty, the freedom of the imagination: Kind of Blue has all these qualities, and many more that lie far beneath its seductive surface. Whenever it is played, in whatever circumstances, it provides further evidence that its essence remains undisturbed, a rare example of human perfection, never needing to raise its voice to make itself heard but speaking more clearly as the years go by.</p>
<p style="border-collapse:collapse;background-repeat:no-repeat;margin:0 0 13px;padding:0;">The Blue Moment: Miles Davis&#8217;s Kind of Blue and the Remaking of Modern Music by Richard Williams is published by Faber on 6 August (£14.99). To order a copy for £13.99 with free UK p&amp;p call Guardian book service on 0330 333 6846 or go to guardian.co.uk/bookshop</p>
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		<title>Huge telescope opens in Canary Islands</title>
		<link>http://arteculturavida.wordpress.com/2009/07/26/huge-telescope-opens-in-canary-islands/</link>
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		<pubDate>Sun, 26 Jul 2009 03:15:58 +0000</pubDate>
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		<description><![CDATA[One of the world&#8217;s most powerful telescopes opened its shutters in the Canary Islands to begin exploring faint light from distant parts of the universe.  The Gran Telescopio Canarias, a $185 million telescope featuring a 34 foot reflecting mirror, sits atop an extinct volcano.  Its perch above cloud cover takes advantage of the pristine skies [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=arteculturavida.wordpress.com&amp;blog=8207109&amp;post=155&amp;subd=arteculturavida&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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<p>One of the world&#8217;s most powerful telescopes opened its shutters in the Canary Islands to begin exploring faint light from distant parts of the universe.  The Gran Telescopio Canarias, a $185 million telescope featuring a 34 foot reflecting mirror, sits atop an extinct volcano.  Its perch above cloud cover takes advantage of the pristine skies over the Atlantic Ocean.</p>
<p>The observatory is at 7,800 feet above sea level where prevailing winds keep the atmosphere stable and transparent, the Canary Islands Astrophysics Institute said.  The institute, which operates the telescope, said it will capture the birth of the stars, study characteristics of black holes and decipher some of the chemical compounds of the Big Bang.  Planning for the telescope began in 1987.  It was inaugurated by King Juan Carlos.</p>
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		<title>2005 St. Hallett &#8216;Faith&#8217; Shiraz</title>
		<link>http://arteculturavida.wordpress.com/2009/07/24/2005-st-hallett-faith-shiraz/</link>
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		<pubDate>Fri, 24 Jul 2009 19:25:49 +0000</pubDate>
		<dc:creator>arteculturavida</dc:creator>
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		<description><![CDATA[  This week’s pick comes from Master Sommelier Evan Goldstein, president of Full Circle Wine Solutions in San Francisco.  Evan offered the following comments about this Australian red:  “This consistently rich offering from one of the most dependable Barossa Valley-based wineries delivers delightfully chewy black fruit (blackberries, plums), elements of licorice, spice, and blue flowers all enveloped [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=arteculturavida.wordpress.com&amp;blog=8207109&amp;post=149&amp;subd=arteculturavida&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p style="line-height:1.5em;margin:0 0 15px;padding:0;"><a style="font-weight:bold;text-decoration:none;color:#114170;" href="http://www.sthallett.com.au/" target="_blank"><img style="float:left;border:0 initial initial;margin:3px;padding:2px;" title="faith" src="http://mail.google.com/mail/?ui=2&amp;ik=25c948a261&amp;view=att&amp;th=122ac9e0cacd3b4b&amp;attid=0.1.1&amp;disp=emb&amp;zw" alt="faith" width="161" height="200" /></a>  This week’s pick comes from Master Sommelier Evan Goldstein, president of <a style="font-weight:bold;text-decoration:none;color:#114170;" href="http://www.winecouch.com/" target="_blank">Full Circle Wine Solutions</a> in San Francisco.  Evan offered the following comments about this Australian red:  “This consistently rich offering from one of the most dependable Barossa Valley-based wineries delivers delightfully chewy black fruit (blackberries, plums), elements of licorice, spice, and blue flowers all enveloped by a modestly tannic mouth-filling frame. Long and tasty, this wine brings to life the old George Michael line…’you gotta have faith’!  The 2007 may be what you can find right now but as stated above, it’s a very reliable wine, year in and year out and for less than $20!”</p>
<p style="line-height:1.5em;margin:0 0 15px;padding:0;">  Full Circle Wine Solutions is a global wine &amp; spirits education firm that offers tailored wine programs and effective hospitality training to clients in the food and beverage industry.  The company also offers their Perfect Pairings Education Seminars, based on Evan’s book, <em><a style="font-weight:bold;text-decoration:none;color:#114170;" href="http://www.amazon.com/gp/product/0520243773?ie=UTF8&amp;tag=wwwfullcirc0f-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0520243773" target="_blank">Perfect Pairings: A Master Sommelier’s Practical Advice for Partnering Wine with Food</a></em>.  The St. Hallett ‘Faith’ Barossa Shiraz can be purchased from any of <a style="font-weight:bold;text-decoration:none;color:#114170;" title="Wine-Searcher" href="http://www.wine-searcher.com/find/hallett+faith/2007/usa/usd" target="_blank">these retailers</a>, and is a terrific pairing to this <a style="font-weight:bold;text-decoration:none;color:#114170;" href="http://theweeklywinepick.com/korean-short-ribs/" target="_blank">Korean Short Rib recipe</a> adapted from Evan’s book.</p>
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		<title>Excerpt: &#8216;The Female Brain&#8217;</title>
		<link>http://arteculturavida.wordpress.com/2009/07/22/excerpt-the-female-brain/</link>
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		<pubDate>Wed, 22 Jul 2009 05:24:08 +0000</pubDate>
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		<description><![CDATA[Did you know that every brain begins as a female brain? Scientists have proved that until eight weeks after conception, all brains are female. In her book, &#8220;The Female Brain,&#8221; Dr. Louann Brizendine explains how the female brain works, what women are thinking, and the difference in the way they process thoughts compared with the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=arteculturavida.wordpress.com&amp;blog=8207109&amp;post=142&amp;subd=arteculturavida&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p style="margin:10px 0;padding:0;">Did you know that every brain begins as a female brain? Scientists have proved that until eight weeks after conception, all brains are female.</p>
<p style="margin:10px 0;padding:0;">In her book, &#8220;The Female Brain,&#8221; Dr. Louann Brizendine explains how the female brain works, what women are thinking, and the difference in the way they process thoughts compared with the way men do.</p>
<p style="margin:10px 0;padding:0;">For instance, a woman uses about 20,000 words a day while a man uses about 7,000.</p>
<p style="margin:10px 0;padding:0;"> </p>
<p style="margin:10px 0;padding:0;"><img class="aligncenter size-full wp-image-143" title="female-brain-web" src="http://arteculturavida.files.wordpress.com/2009/07/female-brain-web.jpg?w=497" alt="female-brain-web"   /></p>
<p style="margin:10px 0;padding:0;"> </p>
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<h4 style="font-family:arial, verdana, sans-serif;font-size:16px!important;font-weight:bold;line-height:1.4em!important;color:#000000!important;margin:0;padding:0;">The Birth of the Female Brain</h4>
<p style="margin:10px 0;padding:0;">Leila was a busy little bee, flitting around the playground, connecting with the other children whether or not she knew them. On the verge of speaking in two- and three-word phrases, she mostly used her contagious smile and emphatic nods of her head to communicate, and communicate she did. So did the other little girls. &#8220;Dolly,&#8221; said one. &#8220;Shopping,&#8221; said another. There was a pint-size community forming, abuzz with chatter, games, and imaginary families.<br style="margin:0;padding:0;" /></p>
<p style="margin:10px 0;padding:0;">Leila was always happy to see her cousin Joseph when he joined her on the playground, but her joy never lasted long. Joseph grabbed the blocks she and her friends were using to make a house. He wanted to build a rocket, and build it by himself. His pals would wreck anything that Leila and her friends had created. The boys pushed the girls around, refused to take turns, and would ignore a girl&#8217;s request to stop or give the toy back. By the end of the morning, Leila had retreated to the other end of the play area with the girls. They wanted to play house quietly together.</p>
<p style="margin:10px 0;padding:0;">Common sense tells us that boys and girls behave differently. We see it every day at home, on the playground, and in classrooms. But what the culture hasn&#8217;t told us is that the brain dictates these divergent behaviors. The impulses of children are so innate that they kick in even if we adults try to nudge them in another direction. One of my patients gave her three-and-a-half-year-old daughter many unisex toys, including a bright red fire truck instead of a doll. She walked into her daughter&#8217;s room one afternoon to find her cuddling the truck in a baby blanket, rocking it back and forth saying, &#8220;Don&#8217;t worry, little truckie, everything will be all right.&#8221;</p>
<p style="margin:10px 0;padding:0;">This isn&#8217;t socialization. This little girl didn&#8217;t cuddle her &#8220;truckie&#8221; because her environment molded her unisex brain. There is no unisex brain. She was born with a female brain, which came complete with its own impulses. Girls arrive already wired as girls, and boys arrive already wired as boys. Their brains are different by the time they&#8217;re born, and their brains are what drive their impulses, values, and their very reality.</p>
<p style="margin:10px 0;padding:0;">The brain shapes the way we see, hear, smell, and taste. Nerves run from our sense organs directly to the brain, and the brain does all the interpreting. A good conk on the head in the right place can mean that you won&#8217;t be able to smell or taste. But the brain does more than that. It profoundly affects how we conceptualize the world &#8211; whether we think a person is good or bad, if we like the weather today or it makes us unhappy, or whether we&#8217;re inclined to take care of the day&#8217;s business. You don&#8217;t have to be a neuroscientist to know this. If you&#8217;re feeling a little down and have a nice glass of wine or a lovely piece of chocolate, your attitude can shift. A gray, cloudy day can turn bright, or irritation with a loved one can evaporate because of the way the chemicals in those substances affect the brain. Your immediate reality can change in an instant.</p>
<p style="margin:10px 0;padding:0;">If chemicals acting on the brain can create different realities, what happens when two brains have different structures? There&#8217;s no question that their realities will be different. Brain damage, strokes, prefrontal lobotomies, and head injuries can change what&#8217;s important to a person. They can even change one&#8217;s personality from aggressive to meek or from kind to grumpy.</p>
<p style="margin:10px 0;padding:0;">But it&#8217;s not as if we all start out with the same brain structure. Males&#8217; and females&#8217; brains are different by nature. Think about this. What if the communication center is bigger in one brain than in the other? What if the emotional memory center is bigger in one than in the other? What if one brain develops a greater ability to read cues in people than does the other? In this case, you would have a person whose reality dictated that communication, connection, emotional sensitivity, and responsiveness were the primary values. This person would prize these qualities above all others and be baffled by a person with a brain that didn&#8217;t grasp the importance of these qualities. In essence, you would have someone with a female brain.</p>
<p style="margin:10px 0;padding:0;">We, meaning doctors and scientists, used to think that gender was culturally created for humans but not for animals. When I was in medical school in the 1970s and &#8217;80s, it had already been discovered that male and female animal brains started developing differently in utero, suggesting that impulses such as mating and bearing and rearing young are hardwired into the animal brain. But we were taught that for humans sex differences mostly came from how one&#8217;s parents raised one as a boy or a girl. Now we know that&#8217;s not completely true, and if we go back to where it all started, the picture becomes abundantly clear.</p>
<p style="margin:10px 0;padding:0;">Imagine for a moment that you are in a microcapsule speeding up the vaginal canal, hitting warp drive through the cervix ahead of the tsunami of sperm. Once inside the uterus, you&#8217;ll see a giant, undulating egg waiting for that lucky tadpole with enough moxie to penetrate the surface. Let&#8217;s say the sperm that led the charge carries an X and not a Y chromosome. Voilà, the fertilized egg is a girl.</p>
<p style="margin:10px 0;padding:0;">In the span of just thirty-eight weeks, we would see this girl grow from a group of cells that could fit on the head of a pin to an infant who weighs an average of seven and a half pounds and possesses the machinery she needs to live outside her mother&#8217;s body. But the majority of the brain development that determines her sex-specific circuits happens during the first eighteen weeks of pregnancy.</p>
<p style="margin:10px 0;padding:0;">Until eight weeks old, every fetal brain looks female &#8211; female is na-ture&#8217;s default gender setting. If you were to watch a female and a male brain developing via time-lapse photography, you would see their circuit diagrams being laid down according to the blueprint drafted by both genes and sex hormones. A huge testosterone surge beginning in the eighth week will turn this unisex brain male by killing off some cells in the communication centers and growing more cells in the sex and aggression centers. If the testosterone surge doesn&#8217;t happen, the female brain continues to grow unperturbed. The fetal girl&#8217;s brain cells sprout more connections in the communication centers and areas that process emotion. How does this fetal fork in the road affect us? For one thing, because of her larger communication center, this girl will grow up to be more talkative than her brother. Men use about seven thousand words per day. Women use about twenty thousand. For another, it defines our innate biological destiny, coloring the lens through which each of us views and engages the world.</p>
<p style="margin:10px 0;padding:0;"> </p>
<h4 style="font-family:arial, verdana, sans-serif;font-size:16px!important;font-weight:bold;line-height:1.4em!important;color:#000000!important;margin:0;padding:0;">Reading Emotion Equals Reading Reality</h4>
<p style="margin:10px 0;padding:0;">Just about the first thing the female brain compels a baby to do is study faces. Cara, a former student of mine, brought her baby Leila in to see us for regular visits. We loved watching how Leila changed as she grew up, and we saw her pretty much from birth through kindergarten. At a few weeks old, Leila was studying every face that appeared in front of her. My staff and I made plenty of eye contact, and soon she was smiling back at us. We mirrored each other&#8217;s faces and sounds, and it was fun bonding with her. I wanted to take her home with me, particularly because I hadn&#8217;t had the same experience with my son.</p>
<p style="margin:10px 0;padding:0;">I loved that this baby girl wanted to look at me, and I wished my son had been so interested in my face. He was just the opposite. He wanted to look at everything else &#8211; mobiles, lights, and doorknobs &#8211; but not me. Making eye contact was at the bottom of his list of interesting things to do. I was taught in medical school that all babies are born with the need for mutual gazing because it is the key to developing the mother-infant bond, and for months I thought something was terribly wrong with my son. They didn&#8217;t know back then about the many sex-specific differences in the brain. All babies were thought to be hardwired to gaze at faces, but it turns out that theories of the earliest stages of child development were female-biased. Girls, not boys, come out wired for mutual gazing. Girls do not experience the testosterone surge in utero that shrinks the centers for communication, observation, and processing of emotion, so their potential to develop skills in these areas are better at birth than boys&#8217;. Over the first three months of life, a baby girl&#8217;s skills in eye contact and mutual facial gazing will increase by over 400 percent, whereas facial gazing skills in a boy during this time will not increase at all.</p>
<p style="margin:10px 0;padding:0;">Baby girls are born interested in emotional expression. They take meaning about themselves from a look, a touch, every reaction from the people they come into contact with. From these cues they discover whether they are worthy, lovable, or annoying. But take away the signposts that an expressive face provides and you&#8217;ve taken away the female brain&#8217;s main touchstone for reality. Watch a little girl as she approaches a mime. She&#8217;ll try with everything she has to elicit an expression. Little girls do not tolerate at faces. They interpret an emotionless face that&#8217;s turned toward them as a signal they are not doing something right. Like dogs chasing Frisbees, little girls will go after the face until they get a response. The girls will think that if they do it just right, they&#8217;ll get the reaction they expect. It&#8217;s the same kind of instinct that keeps a grown woman going after a narcissistic or otherwise emotionally unavailable man &#8211; &#8220;if I just do it right, he&#8217;ll love me.&#8221; You can imagine, then, the negative impact on a little girl&#8217;s developing sense of self of the unresponsive, flat face of a depressed mother &#8211; or even one that&#8217;s had too many Botox injections. The lack of facial expression is very confusing to a girl, and she may come to believe, because she can&#8217;t get the expected reaction to a plea for attention or a gesture of affection, that her mother doesn&#8217;t really like her. She will eventually turn her efforts to faces that are more responsive.</p>
<p style="margin:10px 0;padding:0;">Anyone who has raised boys and girls or watched them grow up can see that they develop differently, especially that baby girls will connect emotionally in ways that baby boys don&#8217;t. But psychoanalytic theory misrepresented this sex difference and made the assumption that greater facial gazing and the impulse to connect meant that girls were more &#8220;needy&#8221; of symbiosis with their mothers. The greater facial gazing doesn&#8217;t indicate a need; it indicates an innate skill in observation. It&#8217;s a skill that comes with a brain that is more mature at birth than a boy&#8217;s brain and develops faster, by one to two years.</p>
<p style="margin:10px 0;padding:0;"> </p>
<h4 style="font-family:arial, verdana, sans-serif;font-size:16px!important;font-weight:bold;line-height:1.4em!important;color:#000000!important;margin:0;padding:0;">Hearing, Approval and Being Heard</h4>
<p style="margin:10px 0;padding:0;">Girls&#8217; well-developed brain circuits for gathering meaning from faces and tone of voice also push them to comprehend the social approval of others very early. Cara was surprised that she was able to take Leila out into public. &#8220;It&#8217;s amazing. We can sit at a restaurant, and Leila knows, at eighteen months, that if I raise my hand she should stop reaching for my glass of wine. And I noticed that if her dad and I are arguing, she&#8217;ll eat with her fingers until one of us looks over at her. Then she&#8217;ll go back to struggling with a fork.&#8221;</p>
<p style="margin:10px 0;padding:0;">These brief interactions show Leila picking up cues from her parents&#8217; faces that her cousin Joseph likely wouldn&#8217;t have looked for. A University of Texas study of twelve-month-old girls and boys showed the difference in desire and ability to observe. In this case, the child and mother were brought into a room, left alone together, and instructed not to touch an object. The mother stood off to the side. Every move, glance, and utterance was videotaped. Very few of the girls touched the forbidden object, even though their mothers never explicitly told them not to. The girls looked back at their mothers&#8217; faces ten to twenty times more than did the boys, checking for signs of approval or disapproval. The boys, by contrast, moved around the room and rarely glanced at their mothers&#8217; faces. They frequently touched the forbidden object, even though their mothers shouted, &#8220;No!&#8221; The one-year-old boys, driven by their testosterone-formed male brains, are compelled to investigate their environment, even those elements of it they are forbidden to touch.</p>
<p style="margin:10px 0;padding:0;">Because their brains did not undergo a testosterone marination in utero and their communication and emotion centers were left intact, girls also arrive in the world better at reading faces and hearing human vocal tones. Just as bats can hear sounds that even cats and dogs cannot, girls can hear a broader range of sound frequency and tones in the human voice than can boys. Even as an infant, all a girl needs to hear is a slight tightening in her mother&#8217;s voice to know she should not be opening the drawer with the fancy wrapping paper in it. But you will have to restrain the boy physically to keep him from destroying next Christmas&#8217;s packages. It&#8217;s not that he&#8217;s ignoring his mother. He physically cannot hear the same tone of warning.</p>
<p style="margin:10px 0;padding:0;">A girl is also astute at reading from facial expression whether or not she&#8217;s being listened to. At eighteen months, Leila could not be kept quiet. We couldn&#8217;t understand anything she was trying to tell us, but she waddled up to each person in the office and unloosed a stream of words that seemed very important to her. She tested for agreement in each of us. If we appeared even the tiniest bit disinterested, or broke eye contact for a second, she put her hands on her hips, stomped her foot, and grunted in indignation. &#8220;Listen!&#8221; she yelled. No eye contact meant to her that we were not listening. Cara and her husband, Charles, were worried that Leila seemed to insist on being included in any conversation at home. She was so demanding that they thought they had spoiled her. But they hadn&#8217;t. It was just their daughter&#8217;s brain searching for a way to validate her sense of self.</p>
<p style="margin:10px 0;padding:0;">Whether or not she is being listened to will tell a young girl if others take her seriously, which in turn goes to the growth of her sense of a successful self. Even though her language skills aren&#8217;t developed, she understands more than she expresses, and she knows &#8211; before you do &#8211; if your mind has wandered for an instant. She can tell if the adult understands her. If the adult gets on the same wavelength, it actually creates her sense of self as being successful or important. If she doesn&#8217;t connect, her sense is of an unsuccessful self. Charles in particular was surprised by how much focus it took to keep up the relationship with his daughter. But he saw that, when he listened attentively, she began to develop more confidence.</p>
<p style="margin:10px 0;padding:0;"> </p>
<h4 style="font-family:arial, verdana, sans-serif;font-size:16px!important;font-weight:bold;line-height:1.4em!important;color:#000000!important;margin:0;padding:0;">Empathy</h4>
<p style="margin:10px 0;padding:0;">This superior brain wiring for communication and emotional tones plays out early in a baby girl&#8217;s behavior. Years later Cara couldn&#8217;t understand why her son didn&#8217;t settle down as quickly when she picked him up as her daughter, Leila, had. She thought it was just temperament, a fussier personality. But likely it was also the sex difference in hardwiring in the brain for empathy. The baby girl is able to resonate more easily with her mother and respond quickly to soothing behavior, stopping her fussing and crying. Observations made during a study at Harvard Medical School found that baby girls do this better with their mothers than do boys.</p>
<p style="margin:10px 0;padding:0;">Another study showed that typical female newborns less than twenty-four hours old respond more to the distressed cries of another baby &#8211; and to the human face &#8211; than male newborns do. Girls as young as a year old are more responsive to the distress of other people, especially those who look sad or hurt. I was feeling a little down one day and mentioned it to Cara. Leila, at eighteen months, picked up on my tone of voice. She climbed onto my lap and played with my earrings, hair, and glasses. She held my face in her hands, looked right into my eyes, and I felt better immediately. That little girl knew exactly what she was doing.</p>
<p style="margin:10px 0;padding:0;">At this stage Leila was in the hormone phase of what is called infantile puberty, a period that lasts only nine months for boys, but is twenty-four months long for girls. During this time, the ovaries begin producing huge amounts of estrogen &#8211; comparable to the level of an adult female &#8211; that marinate the little girl&#8217;s brain. Scientists believe these infantile estrogen surges are needed to prompt the development of the ovaries and brain for reproductive purposes. But this high quantity of estrogen also stimulates the brain circuits that are rapidly being built. It spurs the growth and development of neurons, further enhancing the female brain circuits and centers for observation, communication, gut feelings, even tending and caring. Estrogen is priming these innate female brain circuits so that this little girl can master her skills in social nuance and promote her fertility. That&#8217;s why she was able to be so emotionally adept while still in diapers.</p>
<p style="margin:10px 0;padding:0;"> </p>
<h4 style="font-family:arial, verdana, sans-serif;font-size:16px!important;font-weight:bold;line-height:1.4em!important;color:#000000!important;margin:0;padding:0;">Inheriting More Than Mom&#8217;s Genes</h4>
<p style="margin:10px 0;padding:0;">Because of her ability to observe and feel emotional cues, a girl actually incorporates her mother&#8217;s nervous system into her own. Sheila came to me wanting some help dealing with her kids. With her first husband she had two daughters, Lisa and Jennifer. When Lisa was born, Sheila was still happy and content in her first marriage. She was an able and highly nurturing mother. By the time Jennifer was born, eighteen months later, circumstances had changed considerably. Her husband had become a flagrant philanderer. Sheila was being harassed by the husband of the woman he was having an affair with. And things got worse. Sheila&#8217;s unfaithful husband had a powerful and rich father, who threatened to have the children kidnapped if she tried to leave the state to be with her own family for support.</p>
<p style="margin:10px 0;padding:0;">It was in this stressful environment that Jennifer spent her infancy. Jennifer became suspicious of everyone and by age six started telling her older sister that their kind and beloved new stepfather was certainly cheating on their mother. Jennifer was sure of it and repeated her suspicions frequently. Lisa, finally went to their mom and asked if it were true. Their new stepfather was one of those men who just didn&#8217;t have it in him to cheat, and Sheila knew it. She couldn&#8217;t figure out why her younger daughter had become so anxiously fixated on the imagined infidelity of her new husband. But Jennifer&#8217;s nervous system had imprinted the unsafe perceptual reality of her earliest years, so even good people seemed unreliable and threatening. The two sisters were raised by the same mother but under different circumstances, so one daughter&#8217;s brain circuits had incorporated a nurturing, safe mom and the other&#8217;s a fearful, anxious one.</p>
<p style="margin:10px 0;padding:0;">The &#8220;nervous system environment&#8221; a girl absorbs during her first two years becomes a view of reality that will affect her for the rest of her life. Studies in mammals now show that this early stress versus calm incorporation &#8211; called epigenetic imprinting &#8211; can be passed down through several generations. Research in mammals by Michael Meaney&#8217;s group has shown that female offspring are highly affected by how calm and nurturing their mothers are. This relation has also been shown in human females and nonhuman primates. Stressed mothers naturally become less nurturing, and their baby girls incorporate stressed nervous systems that change the girls&#8217; perception of reality. This isn&#8217;t about what&#8217;s learned cognitively &#8211; it&#8217;s about what is absorbed by the cellular microcircuitry at the neurological level. This may explain why some sisters can have amazingly different outlooks. It appears that boys may not incorporate so much of their mothers&#8217; nervous system.</p>
<p style="margin:10px 0;padding:0;">Neurological incorporation begins during pregnancy. Maternal stress during pregnancy has effects on the emotional and stress hormone reactions, particularly in female offspring. These effects were measured in goat kids. The stressed female kids ended up startling more easily and being less calm and more anxious than the male kids after birth. Furthermore, female kids who were stressed in utero showed a great deal more emotional distress than female kids who weren&#8217;t. So if you&#8217;re a girl about to enter the womb, plan to be born to an unstressed mom who has a calm, loving partner and family to support her. And if you are a mom-to-be carrying a female fetus, take it easy so that your daughter will be able to relax.</p>
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		<title>The Dead Weather</title>
		<link>http://arteculturavida.wordpress.com/2009/07/20/the-dead-weather/</link>
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		<pubDate>Mon, 20 Jul 2009 06:11:25 +0000</pubDate>
		<dc:creator>arteculturavida</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://arteculturavida.wordpress.com/?p=130</guid>
		<description><![CDATA[As I become more enthralled and immersed in the evolving and expansive world of art, the word &#8216;collaborate&#8217; has become a staple in my vocabulary diet.  Not only am I focusing  my work in the visual arts arena, but I&#8217;ve naturally integrated my interests with work efforts producing an seemingly effortless way of synthesizing the [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=arteculturavida.wordpress.com&amp;blog=8207109&amp;post=130&amp;subd=arteculturavida&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-139" title="jack_white" src="http://arteculturavida.files.wordpress.com/2009/07/jack_white3.jpg?w=497&#038;h=362" alt="jack_white" width="497" height="362" />As I become more enthralled and immersed in the evolving and expansive world of art, the word &#8216;collaborate&#8217; has become a staple in my vocabulary diet.  Not only am I focusing  my work in the visual arts arena, but I&#8217;ve naturally integrated my interests with work efforts producing an seemingly effortless way of synthesizing the two.  </p>
<p>Every now and then, the world brings to limelight a revolutionary figure whether politically, nautically, scientifically, musically, artistically, philosophically &#8211; the person was born and destined to become a prodigy in his or her given field.  Whether good or eveil, these figures change the culture of the time and leave a mark in history.  Mahatma Ghandi, Ferdinand and Isabella, Abraham Lincoln, The Beatles, Mozart, Picasso, Charles Darwin, Itzhak Perlman, Hitler, Napoleon, Hemingway, Steinbeck, Da Vinci, Michelangelo, Mick Jagger, Michael Jackson (I know&#8230;), Madonna, Martin Luther&#8230;.</p>
<p>It may be argued that rock and roll music is dead. Beyond dead in this moment. I disagree: 1. there are way too many undiscovered extremely talented musicians out there practicing and performing all over the world that critics and so-called &#8216;music experts&#8217; only write and judge based on what popular media gives us      2.  with the surge of the &#8216;THE bands&#8217; circa early millenia, all involved in the music field deemed this minute era as the final death of rock and roll, and even worse, these critics said we&#8217;d never again see the caliber of R&amp;R genius of  say Zepplin or the Rolling Stones.  </p>
<p>One of the biggest bands to emerge over the past decade is the White Stripes.  Born out of Detriot, the incendiary duo has changed the way America views a rock and roll band from next to nowhere.  With the extension of the prodigious mind behind Jack White we&#8217;ve heard not only the Stripes and collaborations with Beck, Pearl Jam and Willie Nelson, but he&#8217;s created the Raconteurs and now, The Dead Weather.  </p>
<p>Jack White never ceases to Amaze with the White Stripes and the Raconteurs, and his third band is no exception.  With Alison Mosshart of the Kills on vocals, Jack Lawrence of the Raconteurs on bass, Dean Fertita of the Queens of the Stone Age on guitar and White on drums and vocals, the Dead Weather reverberates raw pyschedelic sound waves with loaded lyrics.  <em> Horehound</em> is a crafty Classic.  </p>
<p>White proves that his life is his destined work and work is his leisurely and fruitful life breathing music as he steps on foot in front of the other. Take a listen.</p>
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		<title>Nashville Icon: Hatch Show Print</title>
		<link>http://arteculturavida.wordpress.com/2009/07/08/nashville-iconography-the-hatch-show-print/</link>
		<comments>http://arteculturavida.wordpress.com/2009/07/08/nashville-iconography-the-hatch-show-print/#comments</comments>
		<pubDate>Wed, 08 Jul 2009 23:46:00 +0000</pubDate>
		<dc:creator>arteculturavida</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[al gore]]></category>
		<category><![CDATA[anthropologie]]></category>
		<category><![CDATA[athens of the south]]></category>
		<category><![CDATA[bluebird cafe]]></category>
		<category><![CDATA[country music capitol]]></category>
		<category><![CDATA[elvis presley]]></category>
		<category><![CDATA[grand ole opry]]></category>
		<category><![CDATA[hatch show prints]]></category>
		<category><![CDATA[johnny cash]]></category>
		<category><![CDATA[june carter cash]]></category>
		<category><![CDATA[nashville]]></category>
		<category><![CDATA[reese witherspoon]]></category>
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		<guid isPermaLink="false">http://arteculturavida.wordpress.com/?p=107</guid>
		<description><![CDATA[ Hatch Show Print is THE template that modern day concert posters evolved from not just in Nashville but alllllll over the good ole US of A!  Everyone is starting to catch on to the trend and re-vamp and glamourize the old southern way of advertising.  I mean, the Man In Black himself, Johnny Cash relied on [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=arteculturavida.wordpress.com&amp;blog=8207109&amp;post=107&amp;subd=arteculturavida&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p> Hatch Show Print is <em>THE</em> template that modern day concert<img class="alignleft size-full wp-image-115" title="images-5" src="http://arteculturavida.files.wordpress.com/2009/07/images-5.jpeg?w=497" alt="images-5"   /> posters evolved from not just in Nashville but alllllll over the good ole US of A!  Everyone is starting to catch on to the trend and re-vamp and glamourize the old southern way of advertising.  I mean, the Man In Black himself, Johnny Cash relied on this form of advertising to promote his music and look where it got him in his lifetime.  Nashvillian turned A-list Hollywood actress Reese Witherspoon won her Oscar depicting June Carter Cash- Johnny&#8217;s sweet and sassy country love who also promoted her talent via thousands of Hatch Show prints.</p>
<p><img class="alignright size-full wp-image-117" title="images-8" src="http://arteculturavida.files.wordpress.com/2009/07/images-81.jpeg?w=497" alt="images-8"   /></p>
<p>I, As a Nashville native, rank Hatch Show as one of the legendary characteristic  and charismatic institutions that distinguishes &#8220;Music City&#8221; or  the &#8220;Athens of the South&#8221; from other southern capitols  such as Memphis, New Orleans, Atlanta, and Birmingham.  The Grand Ole opry, Music Row, the Ryman Auditorium, Bluebird Cafe, The Hermitage home of past American President Andrew Jackson&#8230;.the list goes on. </p>
<p><img class="aligncenter size-medium wp-image-119" title="01_Anthropologie" src="http://arteculturavida.files.wordpress.com/2009/07/01_anthropologie.jpg?w=252&#038;h=300" alt="01_Anthropologie" width="252" height="300" /></p>
<p>If you haven’t yet received the June Anthropologie catalog, you’re in for a treat. The creative team at Anthro has joined forces with Hatch Show Print, one of the oldest working letterpress print shops in America. You’ll notice their iconic typography on the covers as well as throughout the book. What a great collaboration.  With walls covered in one-of-a-kind posters and shelves filled with handcarved letters and images, the atmosphere at Hatch bursts with energy and creativity.  A true kindred spirit.</p>
<p>MUSIC, TRADITION, CRAFT- Hatch show print embraces each of America&#8217;s oldest working poster print show shop. Enjoy.</p>
<p><img class="alignleft size-full wp-image-123" title="images-9" src="http://arteculturavida.files.wordpress.com/2009/07/images-91.jpeg?w=497" alt="images-9"   /><img class="alignright size-full wp-image-124" title="images-6" src="http://arteculturavida.files.wordpress.com/2009/07/images-61.jpeg?w=497" alt="images-6"   /></p>
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